Biblio

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Duranti, Luciana, and Patricia Franks. "Encyclopedia of Archival Science." Books by SJSU Authors.
Duranti, Alessandro. "Language as Culture in U.S. Anthropology: Three Paradigms." Current Anthropology 44, no. 3: 323-347.
Duffy, Brooke Erin, and Jefferson D. Pooley. "“Facebook for Academics”: The Convergence of Self-Branding and Social Media Logic on Academia.edu." Social Media + Society 3, no. 1: 205630511769652.
Duff, Wendy M., and Catherine A. Johnson. "Accidentally Found on Purpose: Information-Seeking Behavior of Historians in Archives." The Library Quarterly: Information, Community, Policy 72, no. 4 (2002): 472-496.
Duarte, Natasha, Emma Llanso, and Anna Loup. "Mixed Messages? The Limits of Automated Social Media Content Analysis.", 106.
Drummond, Chris. "Reproducible research: a minority opinion." Journal of Experimental & Theoretical Artificial Intelligence 30, no. 1: 1-11.
Drucker, Johanna. "Humanities Approaches to Graphical Display." Digital Humanities Quarterly 005, no. 1.
Drucker, Johanna, and Patrik B. O. Svensson. "The Why and How of Middleware." Digital Humanities Quarterly 010, no. 2.
Drucker, Johanna, and Matthew K. Gold. "Humanistic Theory and Digital Scholarship.", 504. University of Minnesota Press, 2012.
Drucker, Johanna. "Entity to Event: From Literal, Mechanistic Materiality to Probabilistic Materiality." Parallax 15, no. 4: 7-17.
Drucker, Johanna. "Humanities Approaches to Graphical Display." 5, no. 1 (2011).
Drucker, Johanna, and Patrik B. O. Svensson. "The Why and How of Middleware." Digital Humanities Quarterly 010, no. 2.
Drucker, Johanna. "Speculative Aesthetics and Digital Media." Journal of Philosophy: A Cross-Disciplinary Inquiry 3, no. 7: 34-41.
Drucker, Johanna. "Performative Materiality and Theoretical Approaches to Interface." 7, no. 1 (2013).
Drucker, Johanna. "Theory as Praxis: The Poetics of Electronic Textuality." Modernism/modernity 9, no. 4 (2002): 683-691.
Drucker, Johanna, and Patrik B. O. Svensson. "The Why and How of Middleware." Digital Humanities Quarterly 010, no. 2.

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