| Abstract | This article 1 focuses on the making of a family film and its transformation into a historical artifact. The conversations with my grandmother about her participation in the Gaucho Revolution (south of Brazil, 1923), which were recorded to be transmitted later on to our family, led me to research these historical facts in the public archives, sifting out documents from those days (newspapers, reports, and photographs) that could objectify her stories and her subjective images and especially allow the discovery of all possible relations between an individual memory and a collective memory. That implied building a speech and telling a story from only one family member's point of view, the grandmother's. More than that, it involved breaking with the family's inner-circle projections and presenting the film to a wider public, thus turning private images into public ones. |
